The Company

Nova Dance

At Nova Dance we love to find ways to use bharatnatyam as our baseline for telling unique stories, and exploring new ways to share this powerful art form.  Dance, music, theatre, ritual practice, math - bharatnatyam has it all.  Steps, recitation, acting, movements for eyelids, cheeks, fingers, and eyebrows - there is so much to be inspired by.  

Nova Dance is led by Nova Bhattacharya, whose powerful works are intimate and emotionally charged testaments to the human spirit. 

Through a varied and acclaimed repertoire - including Bhattacharya’s own creations and collaborations with esteemed national and international artists - we invite audiences to exeprience an expanse of movement drawn from a range of techniques, expressed in body and spirit.  The company’s productions and educational programs have been presented from coast to coast in Canada, as well as Germany and Japan; have garnered 6 Dora Mavor Moore Award nominations; and won the Summerworks 2016 Outstanding Direction Award.

""...radical work that pulls apart notions of power, tradition and ritual, puncturing exoticism and querying the contemporary.""

- Summerworks 2016 Jury Statement for Best Director: Nova Bhattacharya, Broken Lines

Board Members

Elisabeth Burks

CEO, Guild MKTG

Board President

Giselle Clarke-Trenaman

Stage Manager

Board Secretary

Ross Paton

Project Manager

Board Treasurer

Ashis Basu

Management Consultant

Richard Lefebvre

Senior Manager, Legacy Giving, National Ballet of Canada 

Maxine Thomas

Advertising Executive

Past Productions

2016/2017

Remount of Blue Ceiling Dance/Lucy Rupert’s Alaap for Urban Vessels’ Arts in the Parks programming; Choreographic Intensive co-facilitation with 10 Gates Dancing; Premiere of Broken Lines (duet for Neena Jayarajan & Atri Nundy) at Summerworks Performance Festival (Toronto); Guest Artist, Peggy Baker Dance Project’s The Perfect Word; Choreography for Cahoots Theatre’s The Enchanted Loom; Premiere of Infinite Storms as part of The Theatre Centre’s Dance Card series; mentorship for Atri Nundy; choreographic consulting with Neena Jayarajan; member of the Canada Council for the Art’s delegation to the IETM (Romania) - International Network for Contemporary Performing Arts; creation residency at Toronto Dance Theatre; Date with Dance presentations in partnership with Anuradha Sen, Esmerelda Enrique Spanish Dance Company, Sampradaya Dance Creations, Cahoots Theatre, OISE, Sony Centre for the Performing Arts, and Confidance Bharatnatyam; Deep End Weekend II with partner Tarragon Theatre.

2015/2016

Year 3 Metcalf Foundation Strategic Initiative - Group Creation Laboratory; Remount of Blue Ceiling Dance/Lucy Rupert’s Alaap for Urban Vessels’ Singing River; presentation of Akshongay at the Prismatic Festival (Nova Scotia); partnership with Dancer Transition Resource Centre - Artisitc Director and contracted dancers presented at  Arzoo Dance Theatre’s Angikam symposium on the topic of “Transitioning into a professional career in dance”;  mentorship for Nivedha Ramalingam; invited speaker International Society for the Performing Arts’ New York Congress – “Who’s footing the bill & what’s the cost”; invited speaker Province of Ontario, Cultural Strategy Town Hall – “Art and its function in a vital society”; presentation of Akshongay as part of Coleman Lemiuex & Co’s inaugural Bright Nights series (Toronto); member of the Canada Council for the Art’s delegation to the IETM (Netherlands) - International Network for Contemporary Performing Arts; invited speaker Navadisha International Dance Conference (United Kingdom) – Professional development, Mentoring & Career progression; The DeepEnd Weekend – a two day professional development immersive experience for dancers trained in Indian Classical dance styles.

2014/2015

East Coast Tour of Date with Dance (Fredericton, Moncton, Annapolis Royal, Saint John); Choreography for Tarragon Theatre's production of Abyss; Performance of Akshongay at The Burlington Centre for the Performing Arts; Choreography and performance in Tarragon Theatre's production of Much Ado About Nothing; Year 2 Metcalf Foundation Strategic Initiative - Group Creation Laboratory.

2013/2014

Creation residences at Brock Centre for the Arts (St. Catharines, Ontario), Vancouver East Cultural Centre (British Columbia) and Place des Arts (Montreal, Quebec); performance and presentation at Kendu Hearth (Kampala, Uganda); performances of Date with Dance in Dryden, Sioux Lookout, Kirkland Lake & Deep River (Ontario);  performance at Dance in Vancouver; peformances of Akshongay at Kalanidhi International Dance Festival (Toronto) and Canada Dance Festival (Ottawa); performances at the Vancouver East Cultural Centre; premiere of Sonic Anthem created for the second year students at School of Toronto Dance Theatre; teaching and creation at Pulse conference and; guest speaker at  The Ada Slaight Youth Arts Mentorship Program; Year 1 Metcalf Foundation Strategic Initiative - Group Creation Laboratory.

2012/2013

Performances of Calm Abiding (choreographer José Navas) at Prismatic Festival, Nova Scotia; Choreographic Monitor for Sampradaya Dance Creations’ ChoreoIntense; Residency at Place des Arts, Quebec for DVOTE (co-production with Noam Gagnon/Vision Impure); Premiere of Alaap – solo commission from Lucy Rupert/Blue Ceiling Dance; Artist in Residence at Toronto’s Heliconian Club; Presentations of Date with Dance for Danceworks, The Toronto Military Family Resource Centre, Soulpepper Theatre Co.’s March Break program, Menaka Thakkar Dance Company, Amesbury Park Library and The Toronto Heliconian Club; World Premiere of Akshongay co-created with Louis Laberge- Côté presented by Danceworks and nominated for four Dora Mavor Moore Awards (choreography, performance, lighting design and sound design); year one of the company’s Creation Lab project with four classical bharatanatyam dancers and three modern/ballet dancers.

2011/2012

Master Teacher for Sampradaya Dance Creation’s Dance Intense; company’s inaugural Creation Lab with mixed cast of bharatanatyam and modern trained dancers; performances for Culture Days and Canadian Opera Company Lunchtime Concert Series (Richard Bradshaw Amphitheatre); premiere of Red & Yellow, ensemble work for Dancemakers’ winter season; selected to participate in UK based Dance East’s Rural Retreats for artistic leadership in dance; presentation of Date with Dance at the Registry Theatre, Waterloo; workshop presentation of The Draupadi Project at Theatre Passe Muraille’s Buzz Festival; awarded the Victor Martyn Lynch-Staunton Award for outstanding artistic achievement in dance.

2010/2011

Invited to teach Bharatanataym for Contemporary Expression for Sampradaya Dance Creation’s Dance Intense; performances of Calm Abiding at Dancing on the Edge, Vancouver, Ontario Dances, Toronto, Cultural Pluralism in the Performing Arts Town Hall, Ottawa and Kalanidhi Fine Arts Festival of Contemporary Indian Dance, Toronto; invited choreographer for Theatre Direct’s fall youth program; showcasing of co-production with Peggy Baker Dance Projects whole wide world at Canadian Arts Presenting Association, Ottawa and TO Connect Toronto; performances of whole wide world featuring maskura, Map of the Known World (2002 commission from Peggy Baker) and the world premiere Aleatoric Duet #1 (choreography Peggy Baker, performers Baker and Bhattacharya) presented by Brock Centre for the Arts, St. Catharines, Ontario; performance of Related Fragments Remix at Dance Ontario’s DanceWeekend, Toronto; invited to present mixed repertoire solo program Sleight of Hand by the Arden Theatre, St. Albert, Edmonton and New Works, Vancouver, B.C.; presentation of Date with Dance at the Chatham Cultural Centre, Chatham, Ontario; invited to moderate Groundbreaking Audience Development: Diversity for the 21st Century panel at the International Society for the Performing Arts (ISPA) Congress, Toronto; works in development include a duet co-created with Louis Laberge-Côté supported by the Toronto Arts Council; The Draupadi Project with playright Sharada Eswar supported by Incubate (Toronto Arts Council/Luminato); a new work with Vancouver’s Noam Gagnon supported by New Works Vancouver and The Shadbolt Centre for the Arts.

2009/2010

Commissioned by The Canada Dance Festival Society (Ottawa) & Danceworks (Toronto) to premiere Isolated Incidents, a full evening work created in collaboration with Ed Hanley (music) and Marc Parent (lighting). Invited into residency by Dancemakers’ Artistic Director Michael Trent for the company’s ResearchLab program. Performances at: Dance Intense (Sandra Faire and Ivan Fecan Theatre, Toronto), Hysteria (Buddies in Bad Times Theatre, Toronto) and Canadian Opera Company, Lunchtime Concert Series (Richard Bradshaw Amphitheatre). Co-presentation with Theatre Direct Canada of Date with Dance.

2008/2009

Invited to present solo program Incantations (choreography by Bhattacharya, José Navas, Peggy Baker & Laurence Lemieux) by Live Art Dance Productions (Halifax) and Tanz!Heilbronn (Germany); tours with Dusk Dances to six Ontario cities and Vancouver; invited to teach Bharatanatyam for Contemporary Expression for Menaka Thakkar Dance Company’s Dance Advance; presents Edge Effect at The Needle Exchange presented by Buddies in Bad Times Theatre; premieres Unspoken at Contemporary Choreography in Indian Dance presented by Kalanidhi Fine Arts and Menaka Thakkar Dance Company; presentation of a full length solo program, Primary View at Vancouver International Dance Festival; invited to North Bay by The Capitol Theatre as part of their Ontario Dances! project; performs Related Fragments Remix at New Waves Festival presented by the Young Centre & Luminato and at Buddies in Bad Times Theatre’s Cheap Queers.

2007/2008

Bhattacharya is commissioned to create an ensemble work (Related Fragments) for Toronto Dance Theatre’s Four at the Winch program; Calm Abiding is presented by Potsdamer Tanztage, International Festival for Contemporary Dance (Germany), Dance Ontario (Toronto) and the Canada Dances showcase (Montreal); Bhattacharya receives a Dora Mavor Moore Nomination for Outstanding Performance (Calm Abiding); tours with Dusk Dances to six Ontario cities; participates in ex...it!’07! international dance exchange (Brollin, Germany) appearing in work by Kinya Tsuruyama & Miki Sato; invited by Menaka Thakkar to present maskura in Thakkar’s production of Moving to Rhythm; presents Edge Effect at Nightwood Theatre’s Femcab.

2005/2006

The National Arts Centre co-produces Calm Abiding (solo commission from José Navas) premieres at the Canada Dance Festival. Invited into residency at the Dancemakers Centre for Creation for the development of Gold Moon a duet choreographed by Tokyo’s Mika Kurosawa for Bhattacharya and Jenn Goodwin. World Premiere of Gold Moon as part of Dance Selection Festival, Setagaya Arts Centre, Tokyo, Japan. Danceworks and Peterborough New Dance present Bhattacharya’s production of Out of Bounds – the program includes performances by Bhattacharya and Jenn Goodwin and choreography by José Navas, Dana Gingras, Mika Kurosawa and Jenn Goodwin.

2003/2004

maskura is presented by the Kalanidhi International Dance Festival. Bhattacharya is one of 12 artists invited to participate in Peggy Baker Dance Projects’ Choreographer’s Trust project. Ma is included in Dusk Dances 10-year retrospective and tours to 6 Ontario cities. Bhattacharya presents a new work Eclipse at the inaugural Hysteria Festival of Women, Buddies in Bad Times, appears as a guest artist in Kaeja d’Dance’s Six women, Six solos project and is awarded a Chalmers Fellowship for artistic research.

2001/2002

Canada Dance Festival commissions Bhattacharya to create a solo (Metamorphine) for the 2002 festival as part of the Fresh Voices program. 2000 Dusk Dances commission Ma tours to Ottawa and Vancouver, maskura is presented by Dancing on the Edge, Vancouver. Toronto’s Danceworks presents Bhattacharya’s production of Alankar as part of its Mainstage Series. The program includes performances by Bhattacharya and Natasha Bakht and choreography by Bhattacharya, Peggy Baker, Natasha Bakht, Menaka Thakkar and Roger Sinha and is pronounced one of the Top Ten Shows of 2002 by Eye Weekly and Now Magazine.

1999/2000

Bhattacharya’s solo maskura is presented at Series 8:08 Season Finale, Desh Pardesh and the Canada Dance Festival. Commissioned by Dusk Dances to premiere a new work for the 2000 festival. Bhattacharya’s production of Marga plays to sold out audiences in Toronto and is one of ten programs presented by The Canadian Museum of Civilization in Quebec as part of their India the Living Arts series.