Founded by Nova Bhattacharya and based in Toronto, Nova Dance expands the cultural space for the evolution of classical Indian and contemporary dance through evocative new works.

The Company

Established in 2008, Nova Dance is led by dancer and choreographer Nova Bhattacharya, who brings her classical bharatanatyam training into the world of contemporary dance with elegance and authority. Through a varied and acclaimed repertoire - which includes creations from Bhattacharya, Peggy Baker, Mika Kurosawa, Dana Gingras, José Navas, Menaka Thakkar, and Laurence Lemieux - audiences are exposed to an expanse of movement drawn from classical vocabulary, integrated with improvised movement, rigorously structured and performed with passion and precision.

Born in Halifax, Nova Scotia, Bhattacharya has developed an intriguing body of work - ranging from full length classical recitals to powerful contemporary solos and duets - that showcases today’s bharatantayam and Canadian contemporary dance with a South Asian sensibility. Her performances have struck a deep emotional chord with audiences and critics alike, and have been presented by Canada’s National Arts Centre, Toronto's Danceworks and Kalanidhi Fine Arts, Vancouver's Dancing on the Edge, Tokyo’s An Creative and at fabrik Potsdam / 17th Potsdamer Tanztage – International Festival of Contemporary Dance.

Through the creation and presentation of powerful humanistic dance works in collaboration with choreographers, composers and visual designers, the company invites audiences to embrace dance for the visceral experience it can offer.

"[Nova Bhattacharya] dances with a kick-ass authority that brings a contemporary edge to classical Indian dance."

- eye Weekly

"Bhattacharya ... smoulders ... She is a born storyteller and a purveyor of moods, her intense eyes holding the watcher in their grip, while her expressive, compact body radiates emotion."

- The Globe & Mail

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Upcoming

in/Future | Peggy Baker Dance Projects

Nova performs in Peggy Baker's durational work, The Perfect Word, September 15 - 18 at the in/Future festival at Ontario Place

Infinite Storms

A new group work, part of the Theatre Centre's DANCE CARD series, January 26 - 29, 2017

Blog

The Perfect Word for Dad

When I was seven, this man started driving me to dance classes.  Classes, rehearsals, performances - over the years he did a lot of driving. If you have ever been to see my work, you’ve probably seen him (and my mom!).  A closet poet, my dad leapt at the chance to help me translate text for Peggy Baker’s 2014 Nuit Blanche installation - The Perfect Word.  My word was heart - hridoy in Bengali.  My Bengali is pretty good, but it was fun to bribe my dad with brunch to get him to check my ucharon (pronunciation).  Dhonobad Baba!  Thanks Dad! Catch The Perfect Word as part of the in/Future festival on the west island of the abandoned Ontario Place site, Sept 15 -18. Info and tickets at infuture.ca

This happened.

Broken Lines, my first work on dancers trained in bharatanatyam.  I’ve been imagining working with bharatanatyam dancers since 2011, and it was incredibly gratifying to finally do it!  Neena Jayarajan and Atri Nundy come from two different training lineages, and putting them in the same room was electrifying.  It was a down and dirty three-week process that pushed them to the limits of their endurance while giving them the opportunity to dig deep into their own font of physical knowledge.  On one level the work in itself is simple, a tightly structured improv with set landmarks to hit - without benefit of a musical score.  On another level, the work is a rigorous reformation of classical technique.  Two strong women, embodying a range of female relationships, playing with, and repossessing their dance vocabulary to make bold new statements.  This happened.  Something new has begun.

I’m baaaaaaaack!

I just spent 21 glorious days on the beautiful island of Bali, Indonesia.  I was researching the impact of cultural tourism on the development  of contemporary practice in dance, establishing a writing practice, and capital R REJUVENATING!  I was there courtesy of Ontario Arts Council’s National and International Residency Program (with a little help from ye old piggy bank!).  So grateful for the opportunity to ask questions, scratch at itches and take a break.  So appreciative of a program that supports curiosity, and the need for artists to change their surroundings from time to time.  Some pics from the last day, and the poem they inspired:

The Work